Lenny Clark has guided many a moose hunter through the bogs, clear-cuts
and thick fir forests of Newfoundland's northern peninsula. His expert
eyes had detected the movement on the trail ahead; he turned and in
a whisper directed his American client's attention toward the huge
animal's location. Jim Martin's eyes foretold of his excitement as
he simultaneously dropped to one knee and laid the historic weapon
across his shooting sticks. In fluid, practiced movements he charged
the breach and propped up the tall rear sight. The thunderous roar
reverberated down the valley. The moose certainly would never know
that the hand-crafted charge that sealed its fate that morning carried
with it a storied 150 year history.
The rifle; an original Sharps 45-110 falling block had come into
Jim's possession a dozen years earlier fulfilling the Schenectady,
New York native's lifelong dream to own this classic American firearm.
While Jim's antique gun collection contains a number of impressive
weapons, the Sharps is special. Manufactured in the mid 1860's in
Connecticut, this rifle had served select Union cavalry regiments
and a handful of state militias during the civil war. While Christian
Sharp's company did not get the big military contracts awarded to
Remington for its rolling block rifles, it was none-the-less, immensely
popular with the troops.
Following the Civil War, New York City gun trader, Herman Boker
bought thousands of the rifles from the army and sold them to France
where they helped turn the tide in the Franco-Prussia conflict of
the early 1870's. A military entrepreneur, Boker then bought them
back and contracted with the original manufacturer, Sharps, to convert
them to shoot cartridges; an innovation that was taking hold throughout
the firearms manufacturing industry. Jim Martin's very own Sharps
went through this conversion and was chambered for the 45-110 case.
The largest of the family of 45 caliber bullets fitted to the converted
rifles, the round measured 4 inches from tip to primer.
With its enhanced velocity, knock-down power and accuracy the 45-110
was soon making history again in the hands of commercial buffalo
hunters on the American plains. Jim has traced his well-traveled
rifle to Wyoming where in the early 1880's the great northern herd
of American bison met its demise to satisfy the growing international
demand for the ultra tough leather rendered from the mighty animal's
huge hides. We all remember the scene from the 90's film "Dances
With Wolves", where the troop of Indians top a rise to view
the skinned carcasses of thousands of buffalo scattered across the
plains.
While the annihilation of a 100 million buffalo in scarcely more
than a decade has not been treated kindly by historians nor should
it be; the role of the Sharp's rifle, which enabled a single hunter
with his team of skinners to process over 100 animals a day is a
detail well recorded. Towns like Johnstown and Gloversville, New
York became important hubs for leather processing. In Europe the
leather was sought after for military applications such as belts,
bullet pouches and saddles while in America a very different product
was cut from the thick hides. In fact, history might well be rewritten
if it weren't for the discovery that leather belts made from bison
robes were an ideal choice for the drive mechanisms of the newly
invented manufacturing equipment driving what history would later
dub our country's industrial revolution.
The Sharps 45-110 with a 508 grain paper patched bullet and backed
by 105 grains of black powder has a muzzle velocity of 1400 feet
per second and could drop a 1000 pound animal at distances in excess
of 800 yards and while Jim's moose was only an 80 yard shot the
accomplishment was significant.
Jim explained, "While the gun is a century and a half old,
the impact of its butt plate slamming your shoulder does not diminish
with age."
As he reeled backwards from the bone-bruising recoil he heard Lenny
say, "You knocked him right off his feet! I've never seen a
grown moose go down like that; Ever
"
For Jim Martin, a retired veteran of a 20 year career as a police
officer and who at age nineteen had carried a different rifle through
the swamps of Viet Nam, it's about the history.
"Every time I pick up my Sharps, I feel I am holding a piece
of America, I feel I am part of a history that is still evolving."
You know what Jim? We think so too.
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